Nicole
Blackman's Courtesan Tales is billed as a one-person
show performed for an audience of one, but in reality, there are
always at least two people involved besides Ms. Blackman: Eve, the
lovely and pleasant "assistant" who serves you mint tea,
takes your fee ($20 per story), and presents the menu of thirteen
tales; and you, the audience member yourself. Because the performance
is so personal, your reactions, and what goes on inside of your
mind, are as much a part of the experience as anything the "Courtesan"
does. There's no voyeurism here.
Likewise,
much has been made of the fact that you hear (and feel) the Tales
while blindfolded and strapped to an oversized rocking chair, but
the show actually begins the moment you ring the buzzer beside PS
122's dungeon-like front door. PS 122 is a former public school
converted to a performance space; its prewar, fortress-like stone
construction, combined with the repair scaffolding and security
grating, are enough to bring back childhood traumas you never knew
you had. Behind the heavy door on the deserted and echo-filled second
floor, a curtained, dimly lit reception area, filled with soft,
ambient music and strewn with cushions, incense, and fake furs likewise
sets the scene, preparing you for what will happen when your turn
comes to step behind the curtain. (Alas, for those from Fark.com
who were asking: No, you never get to see her, so we don't know
if she had nice cans or not. Sorry. However, she does have
a very, very sexy voiceand a rather good hand with a feather,
as well.)
Those
without imagination might compare the Courtesan Tales experience
to that old "haunted house" gag where you stick your hand
in a shoebox filled with peeled grapes while your creepy Uncle Al
solemnly intones, "And THESE were his EYES!" Those with
less mundane minds, on the other hand, would probably prefer to
liken it to ancient mystery religions, where it was utterly forbidden
to speak of the rites that went on behind the veil of the sanctum
sanctorum. Unlike other
reviewers, we'll respect the admonition not to give away
any secrets. Tristan has to say that he, personally, wasn't turned
on by the particular Tale he heardpart of the experience is
that you become the protagonist in the story, and that particular
one just wasn't tailored to the straight male erosbut he could
see how the experience could be exciting for a whole lot of people.
(In particular, he thinks that if you've been trying to get your
girlfriend or wife to agree to that three-way, the Tales
are gold.)
Mistress
Rowena, for her part, tried valiantly to conceive of the Courtesan
Tales as other than a purely sexual experience. She tried to
think of it as High Art (and wished she'd come up with the idea
first) and she endeavored to see it as a catchpenny (twenty bucks
for five minutes, what a racket!), but she always came back to the
titilation factor, as the experience reminded her of nothing so
much as being a submissive for a dom, albeit with no safe word.
You choose the story, but that's the only frision of control you
have over the situation. After you pays your money and makes your
choice, all you do is follow directionsa twitch of the lips,
an unseen raising of the eyebrows or, perhaps, a gasp, your only
possible actions. Never having taken the submissive part before,
Mistress Rowena found squirming in her seat an interesting new experience.
If she could afford it, she would go back and hear the whole baker's
dozen of talesor just for the pleasure of another intimate
chat with the Courtesan's luscious-lipped and well-endowed assistant,
Eve.
The Courtesan
Tales are a terrific experience and a great concept that blur
the boundaries between art, erotica, storytelling, healing arts,
performance, and sex work. Deprived of sight, forced to concentrate
on Nicole Blackman's voice and touch, a reading has the potential
to move the audience member to experience a sense of heightened
reality that most people usually have to either take large quantities
of illegal pharmeceuticals or study Zen for years to achieve. In
many ways, they're the exact opposite of the soulless, joyless "virtual
reality" of most computer games: Rather than visual and cerebral,
they're intuitive and visceral; felt, not seen; experienced, not
controlled. They place you squarely back in your body, and, as such,
they're a perfect antidote to our modern, high-tech lifestyle. Viewed
(so to speak) without cynicism, the Courtesan Tales are a
form of sensual performance art with the power to temporarily liberate
a person from his- or herself and feel things in entirely new ways.
The experience
is highly recommended. We recommend couples go together, late
at night, and that they choose the same story so that they are not
tempted to spill the beans to one anotherand so that they
can reenact the Tale later on their own.
The
Courtesan Tales are playing at PS 122 through November
1. Click
here and follow the directions for a reservation.